Tag: director

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For the love of Super 8mm – big name directors first films on the shoestring medium

Matthew Cooper Director – For the love of Super 8mm – big name directors first films on the shoestring medium

My feature film debut as a director Markham featured a lot of super 8mm film, and I thought it would be nice to write a blogpost today, about super 8mm and its role in the careers of lots and lots of big name Hollywood directors.

The kids don’t know, but back in the day, directors starting out didn’t have mobile phones that record hi-def video or editing software that is pretty high spec (and often free). 

In-fact, directors starting out didn’t have phones or DSLRs and in most cases couldn’t even shoot on video because it was too expensive to buy the kit.

Matthew Cooper Director
Creative Director for hire

So, directors such as Steven Spielberg, John Carpenter and Jim Cameron made films on Super 8mm.

Super 8mm was (and is again) a film stock; it was made by companies like Kodak and Agfa.  Super 8mm film was designed to be played back through a projector, on a big screen at home.  It was a very cut down, small format (often called shoelace or bootlace because it was so thin – 8mm- compared to 35mm film, the standard film format for Hollywood films at the time).  Super 8mm was designed as a format that could be used by amateurs to record vacations and holidays, or weddings and other family events.

Super 8mm film, came in a cartridge (sound or silent). The cartridge was an easy load design and manufacturers  all over the world made cameras that could shoot this film – from low spec point and shoot super 8 cameras- to very high spec semi-pro cameras.  

Once you’d shot the film, it was posted back to the company who processed it into a positive print and then returned it to the users – the processing times could be anything from 3 weeks or longer, from time to time, the film you’d shot could go missing in the mail, or even lost at the lab!   You were given a unique processing number for each roll of film.  In the unfortunate event that the film got lost – all you received was a free blank cartridge.

Each cartridge held about 50 metres of film, which shot at 18 frames per second, would last about 3 and a half minutes, shot on 24 frames per second the film would last just under three minutes.

Matthew Cooper Director
Matt Cooper Director

For all the faults of Super 8mm filmmaking, it was the best medium to learn the skills a director needs, from the 60s right up to the mid 90s lots and lots of directors and wannabe filmmakers shot on Super 8mm.  Gradually video and digital video got more affordable, and Super 8mm died temporarily – it’s back now, and available again form Kodak as part of the analogue resistance.  It’s now much more expensive and harder to get hold of, but its making a steady return (Kodak have even promised a new camera – but this has gone on for years, without a firm release date yet).

Many of the old Super8mm cameras are still in fine working order, and can be purchased on eBay.  Models by firms such as Bauer and Nizo can be quite pricey still – but a good Bell and Howell or Eumig model (from the 80s) are still affordable for most people.

Editing these days will be done on software – back in the day, if you wanted to edit your super 8mm film it was done by cutting and splicing the film by hand – frame by frame. A real skill that lots of young directors cut their teeth doing (me included).

So, here’s a fun thing – a few big name directors’ Super 8mm productions are available online to see.

Let’s start with James Cameron – his short ‘Xenogenesis’ shot on Super 8mm and made in 1978:

How about Richard Stanley? – Director of ‘Dust Devil’ and the recent ‘Color out of Space’  – his film “Incidents In An Expanding Universe” is below, and feels like a very 80s UK art school student type project:

Sam Raimi made ‘Within the Woods’ a Super 8mm version of ‘The Evil Dead’ was he was in his teens. He used to go from investor to investor and project the film on their office walls.

Below is my little short showreel on Super 8mm – ‘Point Blank 1990’ made in 1990 when I was 16.  The film took nearly 6 months to put together in the end.

I’m really pleased that Super 8mm is back available and being used again – I shot a short funky film recently – it’s below.

Matthew Cooper has been a script writer for hire, UK Script editor  and UK script consultant for over 20 years. He’s written for most of the UK soaps, including writing award-winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer. His UK script coverage service, Script reading service and script development service are highly sought after.

You can find some of his broadcast credits on the IMDb.

You can contact Matthew directly to purchase his ebook The UK Soap Opera Script Writers Handbook.

His directorial debut, the rubber reality horror thriller Markham was released in 2020. You can find out more about Matthew’s work as a director here.

You can get in touch with Matthew on matcoop23@yahoo.co.uk.

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The cinematographers who influenced me…

The best cinematographers are German, or were Dutch and worked in the new German cinema of the 70s.

As a freelance film director for hire, I think I’ve been influenced by cinematographers almost as much as I have been influenced by directors.

Certainly two cameraman had a very big impact on my visual style – these guys both started their careers in the new German cinema of the 70s and 80s and both guys finished their careers working in or around Hollywood.

Both guys have passed on now, but their work is still celebrated.  They are Robby Muller and Michael Ballhause.

Muller, to me, had a style so cinematic it taught me to see – his German films with Wim Wenders are famous for their imagery. But later in his career, his work with directors like Alex Cox, William Freidkin and Jim Jarmusch showed he could fit into American films, and see America like no other cameraman.

Ballhause started his career with Fassbinder in Germany, working fast, on low budgets with strong visual ideas, but he ended his career in the USA, and added amazing cinematic style and imagery to the worlds of Martin Scorsese – certainly Ballhause’s work on Goodfellas, and The Color of Money showcase some of the most stylistic camerawork from that era in American films.  

When I took on the camera work in my own low budget film debut as director Markham , the work of Ballhause and Muller was always on my mind.

Below are two videos celebrating these maestros…

Matthew Cooper has been a script writer for hire, UK Script editor  and UK script consultant for over 20 years. He’s written for most of the UK soaps, including writing award-winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer. His UK script coverage service, Script reading service and script development service are highly sought after.

You can find some of his broadcast credits on the IMDb.

His directorial debut, the rubber reality horror thriller Markham was released in 2020. You can find out more about Matthew’s work as a director here.

You can contact Matthew directly to purchase his ebook The UK Soap Opera Script Writers Handbook.

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Matthew Cooper Director – Markham – buy the DVD

Matthew Cooper Director

My feature film debut as a director Markham  was released last week, sales have being going well – both on DVD (scroll down this page to buy the DVD) and on demand screenings on Vimeo

Now that the film is finished and released, I’m hungry to start work on my next project asap. I’ve already been working on some test SFX shots.

My next project will be another zero budget horror film (part of what I’m lazily referring to as the Covid Trilogy).

Also, in the last week, almost by coincidence I’ve had a few fairly nice jobs come in as a  script writer for hire and script consultant – scriptwriting pays my bills and helps to fund the low budget films I’m working on at the moment.

We haven’t as yet, done much PR for Markham.   But there’s some coverage in the pipeline hopefully, at the moment we’re testing the sales and fulfilment of the DVD, we’re literally learning about indie distribution as we go along. 

Hopefully, these lessons might pay dividends with the next film.

Keep checking back on this website, as we move into production on the next film I’m going to start a regular blog that actually follows the production, so people can see the process, the problems and some of the fun we have with making a low budget movie.

As well as being a freelance film director for hire, Matthew has also enjoyed a long career as a script writer for hire, and UK script consultant.  He’s written for most of the UK soaps, including writing award winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer.

You can find some of his broadcast credits on the IMDb and you can get in touch with Matthew on matcoop23@yahoo.co.uk.

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Markham – available for pre-order on Vimeo now

My feature film debut as a director, the low budget horror Markham is now available for pre-order on Vimeo here.

Markham is a snip to buy on Vimeo at just £4.59

Markham will soon also be available to buy on DVD – so keep checking back.

It’s been a mad ride getting here. We started shooting Markham over 18 months ago with a tiny budget, no script, and only a vague idea of what the story was.

Through shear hard work the film developed through a complicated shooting process that required a lot of improvisation from all of the actors. A lot of material was shot, that we never used as we fine tuned the plot in the editing process.

Markham has been described as a film that deconstructs horror tropes and so far the film has had excellent feedback.  

Considering the low budget, and the process we went through, I’m fairly pleased with the end result, and myself and the same team are moving onto two new horror feature projects with very low budgets – call it the Covid Trilogy!

I’m also preparing another two feature films for me to direct, and we’re hoping to raise some funds for the other two.

Matthew Cooper has been a script writer for hire, UK Script editor  and UK script consultant for over 20 years. He’s written for most of the UK soaps, including writing award winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer. His UK script coverage service, Script reading service and script development service are highly sought after.

You can find some of his broadcast credits on the IMDb.

You can contact Matthew directly to purchase his ebook The UK Soap Opera Script Writers Handbook.

His directorial debut, the rubber reality horror thriller Markham will be released in 2020. You can find out more about Matthew’s work as a director here.

You can get in touch with Matthew on matcoop23@yahoo.co.uk.

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Scoring Markham – All killer – no filler

This morning I’m due to sit down and watch the latest cut of my feature film debut as a director Markham.

Markham is a zero budget horror film, which was shot in Staithes in North Yorkshire, and a few other locations up and down the Yorkshire coast.

One thing I can firmly say about Markham is that it pretty atmospheric. Partly thanks to the moody locations and stark black and white photography. But, the music has added an extra dimension too.

I commissioned the score from LA based composer Mariella Nelson Renaud, and gave her free reign to come back with a horror soundtrack which would befit the movie.  She did an amazing job.

Music makes such a big difference in film, and especially in horror cinema. The score can make or break a movie. Watching Markham with all the cues in place makes such a difference to the experience.

Working with composers is one thing directors rarely consider. Directors happily work with writers, actors and technical crew – we speak the same language, but how do you work with a composer, musician or someone from a discipline that’s different from film, and who might not speak the same language? With Mariella, I gave pretty specific examples of scores that I like, and that I considered a ‘type’ that would work with Markham.

Mariella took these examples, ran with them and added her own unique style and personality.

The score feels like a cross between Wendy Carlos and Rachel Elkind’s work on Kubrick’s  ‘The Shining’, Carpenter and the late great Ennio Morricone’s work on ‘The Thing’ and Giorgio Moroder’s music for Paul Shrader’s Cat People (1982) – a personal favourite amongst all these great works. These are great scores to be compared to by Mariella’s work really warrants the comparison.

When I heard the score the first time I was over the moon.  If anything comes from Markham at all, it should be that Mariella Nelson Renaud’s work should be recognised.  She’s a really talented film composer with a great work ethic and ability to interpret what’s on screen in music; she was also a pleasure to work with.

As well as being a freelance film director for hire, Matthew has also enjoyed a long career as a script writer for hire he’s written for most of the UK soaps, including writing award winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer.

You can find some of his broadcast credits on the IMDb You can find out more about Matthew’s work as a director here.

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Ten things I’ve learned from directing a feature film (part two)

You can read the first part of this blogpost here on my script writer for hire and script consultant dedicated website.

5. Next time I’d pick my locations more carefully. Markham was shot mostly at Staithes, a picturesque (if somewhat baroque) fishing village in North Yorkshire. As cinematic as Staithes is, it was a tough place to shoot. The beach area was slippery and dangerous, and  we had to work around the tides.  Also, practically, it was difficult to access by car/van.

This all meant that time was constantly added (for lugging kit around – from the van to the beach etc). Shooting days were shortened by travel, moving equipment into place and the wind on location made sound recording very hard. The film looks great (thanks to Staithes) but it came at a price, in time and energy.

4. While making Markham, I also used some old school techniques – from shooting Day for Night, double exposures (done digitally) matte painting (you’ll never spot it) and chroma key (green screen).  Green screen was going to feature more in the film, but I worked around it.  And the aforementioned use of software like Unreal Engine will soon mean Green Screen is a thing of the past.  There are a few old school practical effect too like a gnarly Zombie (a nod to Lucio Fulci!)

3. All the choices of distribution are available to the filmmaker now.  I’m going to release the film on Vimeo and DVD (for sale via this website).  But I also have the choice to release on Amazon Prime.  I’ve had a lot of interest from distributors too, who have promised they can get the film into ASDA or Wallmart on DVD and BluRay. 

I don’t want to do that now, but I could later.  I could also just distribute it on YouTube – free for anyone to watch (I might do that later too).  I own the film so I can choose where it goes and when. Partly because of the corona virus, distributors are desperate for films and low budget horror always does well. 

I’ve even had interest from some pretty major ‘Hollywood’ types.  But, at the moment I’ll hold on, and almost quietly release the film myself (I’ll use social media to slowly reach out to interested parties, and see how far, and how wide I can spread the film).  

2. You need a script! Markham was shot, as a kind of experiment, there was never ever a written script, and the actors worked together to kind of workshop a plot, from scene to scene this would change, and gradually as we shot and edited a plot came slowly together.

The actors, were amazing at this and gave it their all. And, this, is the way that directors like Kubrick and Terrence Malik sometimes work – keep shooting and shooting until you have ‘something’.  I can see why this appeals to them, but it’s not good for a low budget production. If you want to shoot that way you’ll get unique results, but it’s a lot harder process when you’re working with no cash – almost impossible.

1.  The main thing I’ve learned?  I can direct. Shot for shot I’m good, my stuff cuts together fine, and is visually arresting.  I can martial a crew, and a production too.  I have the energy and stamina to do it (directing a film is a physically hard job) but what gave me most confidence is that I can work well with actors and I tried all kinds of experiments on this shoot (including driving the actors a bit crackers) and these ploys paid off well.  At 46, I have enough confidence and life experience in the bag to confidently work with actors, and speak up when things don’t set well with me.  At 46, I have a gut instinct. It’s the main part of any director’s bag of tricks.

As well as being a freelance film director for hire, Matthew has also enjoyed a long career as a script writer for hire he’s written for most of the UK soaps, including writing award winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer.

You can find some of his broadcast credits on the IMDb You can find out more about Matthew’s work as a director here.

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Markham is coming…

Just wanted to add a really quick update to say that Markham, my feature film debut is on its way, and will hopefully be released by the end of this month (July 2020).

Next week I should be able to complete the final cut, with the ADR, music and final special effects sequences locked and loaded.

It goes without saying that this has been a huge effort, to produce a fully independent feature film from scratch, on a very low budget.

Keep an eye on this website and UK script consultant over the coming weeks, I’ll tell you when the film is released for sale, and much more about the making of Markham.

Matthew Cooper has been directing drama films since the early 90s, starting on super 8mm cine film and movie into video, long before it became digital.  His feature film directorial debut Markham was released in 2020.

As well as being a freelance film director for hire, Matthew has also enjoyed a long career as a script writer for hire he’s written for most of the UK soaps, including writing award winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer.

You can find some of his broadcast credits on the IMDb You can find out more about Matthew’s work as a director here.

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Countdown to Markham (2020) release

My feature debut as a director – Markham – is only weeks away from release now, there’s a little bit of work still to do on the film, but in these Covid crazy times I’ve found that my services as a script writer for hire, UK Script editor  and UK script consultant  have been highly in demand, as people have taken the downtime brought on by Covid to seek help developing their scripts and screenplays.

As well as being busy with my specialised script development service, I’ve also just finished the first draft of another feature film which I’m hoping to direct – The Battle of Belgrave Street. This script is one of the most hard boiled screenplays I’ve ever worked on, and is aiming for the action simplicity that Walter Hill gave to some of the screenplays he penned as writer and director. It’s a terse, script, with as few words as possible, it features laconic, easily defined characters, who are judged on action they take, and a very clean narrative which features a straightforward if difficult goal to obtain and lots of obstacles to overcome. In this case, a handful of bouncers need to protect a club from Yardie gangsters in Chapeltown, Leeds in the 1980s.

As well as writing for myself and for hire, I’ve also found that the extra time, given to post-production on Markham has helped a lot, and I’ve shot some extra scenes and increased the amount of practical special effects in the film.

Markham will be available to buy on this website very soon, before it moves onto one of the streaming services.

I’ve also, had some distribution experts’ look at Markham, with a view to giving the film as wide a release as possible, some of these guys are big ‘Hollywood’ type players with prestigious reputations in the industry. I’m still waiting to hear back from a couple of the bigger players, I’m pleased that in some way that Markham a low budget film, has put me on the map as a director in some way already (even before it’s released proper).

Feedback, from cast and crew so far has been positive too, I’m hoping to use many of the same actors in future productions and some of the same production crew too.

So, there’s no further news as of today (01/06/2020) but I’ll continue to add blog posts as we count down to the release of the film – very soon.

Matthew Cooper has been a script writer for hire, UK Script editor  and UK script consultant for over 20 years. He’s written for most of the UK soaps, including writing award winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer. His UK script coverage service and script development service are highly sought after.

You can find some of his broadcast credits on the IMDb.His directorial debut, the rubber reality horror thriller Markham will be released in 2020. You can find out more about Matthew’s work as a director here.

You can get in touch with Matthew on matcoop23@yahoo.co.uk.

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And… Action

Matthew Cooper Director

Hi, and thanks for visiting my new website.

For those of you who don’t know, my name is Matthew Cooper and this website is dedicated to my work as an independent filmmaker and director.

I’ve a long career as a UK script consultant and script writer for hire and I have a separate website for that facet of my career. Have a look at matcoop.co.uk if you like.

I’ve started this website because I’m just about to launch a career as a director; with my feature length horror film ‘Markham’ about to be released (you can buy it on DVD on this website very soon).

So, I thought I’d put together some sort of manifesto for my first blogpost, set out what I intend to do and how I intend to do it. So here we go…

I’m going to attempt to shoot one low budget horror film every year, for the next fifteen years. I intend to finance the films myself, and retain as much control of the films as possible, from pre-production right through to the release.

I’m going to, as much as possible document this, and how I do it, on this website.  And starting next week I’m going to be blogging about how we made Markham, prior to it’s release…

So, please keep checking back, and take care in these odd covid crazy times.

Matthew Cooper has been a script writer for hire, UK Script editor  and UK script consultant for over 20 years. He’s written for most of the UK soaps, including writing award winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer. His UK script coverage service and script development service are highly sought after.

You can find some of his broadcast credits on the IMDb.His directorial debut, the rubber reality horror thriller Markham will be released in 2020. You can find out more about Matthew’s work as a director here.

You can get in touch with Matthew on matcoop23@yahoo.co.uk.