When the Earth Gives up the Dead (2022) – Principle Photography has WRAPPED

When the Earth Gives up the Dead (2022) is a wrap – the live action sequences at least are now in the bag – this, the third film in my Lovecraft Trilogy (which includes ‘Markham’ and ‘At the Mountains of Madness’) is now moving into a heavy post production phase that will include loads of exciting SFX sequences as well as some knock-out old school Stop Motion animation provided by the Warehouse Transmedia Wrecking Crew.

Below are a few behind the scenes shots from our last day of shooting.

Keeping checking back for more exciting updates.  

Matthew Cooper has been a script writer for hire and UK script consultant for over 20 years. He’s written for most of the UK soaps, including writing award-winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer.

His directorial debut, the rubber reality horror thriller ‘Markham was released in 2020, his second feature film as director ‘At The Mountains Of Madness’ hit the screen in 2021. You can find out more about Matthew’s work as a director here.

You can find some of his broadcast credits on the IMDb.

Dark Eyes of London put their focus on Matthew Cooper director

David Dent is a horror and fantasy films critic who has set himself an incredible task of cataloguing every British fantasy film from 2020 onwards across on his blog Dark Eyes of London.

While doing this, David came across my feature debut as a director Markham (2020), which he was enthusiastic about.  He then followed this up with some very kind words about my second film At the Mountains of Madness (2021).

David has been so supportive that when he launched his Dark Eyes of London fanzine in print, he feature both films in the first issue, and myself and the team are really honoured to feature in the fanzine – because apart from anything, the magazine is a brilliant read.   

 
With the world wide web appearing many moons ago printed fanzines kind of died a death – but it’s so nice to actually have a printed copy of something (and I say this as a digital first person).


I remember buying horror fanzines like Deep Red back in the 80s and this magazine is along those lines.


If you want to buy a copy its £3 and you’ll have to track down the author on Twitter – David Dent – Dark Eyes of London – Twitter handle (@darkeyesofldn)


Also in the mag are directors Louisa Warren (Curse of the Scarecrow) , Tom Lee Rutter (The Pocket Film of Superstitions) and Charlie Steeds (Death Ranch).


I guarantee you’ll end up buying some DVDs or streaming some films you’ve never heard of – which is kind of the point.

You can buy Markham on VOD here. You can also buy At the Mountains of Madness on VOD here.

If you want to purchase either film on DVD click here.

Matthew Cooper has been a script writer for hire and UK script consultant for over 20 years. He’s written for most of the UK soaps, including writing award-winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer.

His directorial debut, the rubber reality horror thriller ‘Markham was released in 2020, his second feature film as director ‘At The Mountains Of Madness’ hit the screen in 2021. You can find out more about Matthew’s work as a director here.

You can find some of his broadcast credits on the IMDb.

PHASE IV (1974)

My feature debt as a Director confounded a few viewers–  when Markham was released in 2020, it wound up on a few torrent sites quite quickly- one person watching the film illegally gave it 5 stars out of 5 and left a message on the torrent board which read – ‘I’ve never seen another fucking film like it.’   Well, maybe that guy (or gal) might want to watch PHASE IV (1974)

Phase IV is a film directed by Saul Bass.  It’s a small contained sci-fi about ants taking over the world.  But this isn’t ‘Them’  (1954) – don’t expect to see stop motion creatures crunching on military hardware. Instead Phase IV is a visually stunning, cramped and claustrophobic film, that will make viewers uneasy and entertained in equal measure.

There’s not much of a plot to mention, and some of it won’t make much sense – but it will be compulsive viewing.

Saul Bass is a bit of a legend in the film world. He  was a graphic designer by trade, and somehow ended up designing the title sequences for many classic films – from Martin Scorsese’ Casino right back to The Seven Year Itch. Sometimes the title sequences of the films he worked on were better, more interesting and more creative than the films themselves.

So, Saul had a cult following and a reputation for being visually exacting and super creative, but Saul only ever directed one feature film, so PHASE IV is they only fully realised film we have from him, and it’s a trip – and hints at what a talent he could have been given further commissions.

But like my debut film Markham – some reviewers at the time had never seen a fucking film like it! And that kind of put a stop to Saul’s career as a director right there...

Over the 47 years since the film was made, its built up a big cult following. The trailer is below, and I’d recommend you see it, as soon as you can.

Matthew Cooper has been a scriptwriter for hire and UK script consultant for over 20 years. He’s written for most of the UK soaps, including writing award-winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer.

Matthew is also a director of feature films including the rubber reality horror thriller ‘Markham which was released in 2020. Matthew’s second feature film as director ‘At The Mountains Of Madness’ was released in July 2021.

You can find out more about Matthew’s work as a director here and find his broadcast credits on the IMDb here.

Tip of the hat to Phil – the genius behind Mad God

After the two low budget horror films Markham and At The Mountains Of Madness one of my upcoming projects requires a lot of old school stop motion effects and miniature work.  I’m looking forward to getting my hands dirty one-frame at a time – but any sort of stop motion work is a huge undertaking.

One of the last great practitioners of stop motion animation is Phil Tippett – Phil was the AT-AT man on Empire Strikes Back as well as the genius behind Robocop and Starship Troppers amazing special effects.

But almost in secret and in his spare time between Hollywood projects Phil has been working away on his own feature length stop-mo epic.  Mad God has been 30 YEARS! That’s right -30YEARS- in the making, but from the trailer below it looks like it will have been more than worth the wait.

I just hope that my project using these effects doesn’t take as long to finish.

Matthew Cooper has been a scriptwriter for hire and UK script consultant for over 20 years. He’s written for most of the UK soaps, including writing award-winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer.

His directorial debut, the rubber reality horror thriller ‘Markham was released in 2020, his second feature film as director ‘At The Mountains Of Madness’ hit the screen in 2021. You can find out more about Matthew’s work as a director here.

You can find some of his broadcast credits on the IMDb.

Buy Markham – Low budget Horror Film shot in Whitby, Staithes, Skinningrove

My low budget horror feature film ‘Markham’ shot in Whitby, Staithes, Skinningrove and on set in Leeds is getting a lot of local interest in the lovely, picturesque areas it was shot.

Markham shot in Staithes

Markham was almost entirely improvised with the actors, inspired some great locations in Staithes and the surrounding area, it’s based loosely on the short story ‘Shadow Over Innsmouth’ by H.P. Lovecraft.

Markham was shot in 2019 and 2020 on a low budget, and was initially released in 2020, it’s available to buy here, just click add to basked and we’ll get one in the post.  

The film has had pretty decent reviews – like the one here by David Dent a prominent horror reviewer (scroll down the pages to the section on ‘Markham’).

There are a couple of different trailers and images below showing some of the local area used in the film.

Matthew Cooper has been a scriptwriter for hire, UK Script editor  and UK script consultant for over 20 years. He’s written for most of the UK soaps, including writing award-winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer. His UK script coverage service, Script reading service and script development service are highly sought after.

You can find some of his broadcast credits on the IMDb.

His directorial debut, the rubber reality horror thriller Markham was released in 2020. You can find out more about Matthew’s work as a director here.

You can contact Matthew directly to purchase his ebook The UK Soap Opera Script Writers Handbook.

10 films every director needs to see – Matthew Cooper Director

I’m on my third week of post production on my second feature film as a director – ‘At The Mountains of Madness’ a moody little horror film based on the story by H.P. Lovecraft.  This is my second horror feature film as a director and this week, as I’m knee deep in horror, I’ve decided to list ten films that directors need to see – which are out of the horror or sci-fi genre.  A palette cleanser if you will…

These films aren’t in any order and are the first ten that came into my mind.  I’ve also avoided the usual films and directors that I talk about a lot.

The Last Detail – What a script! And what performances by all the cast.  Director Hal Ashby doesn’t get in the way of Jack Nicholson turning in the best performance of his life. A funny, sad and ultimately tragic tale, a road trip, not much happens but we learn everything about three sailors, two taking the third to the brig (prison).  It’s a shitty detail.

The Taking of Pelham 1,2,3 – one of the best heist movies ever made, when a group of colour coded professionals take over a subway train and ransom the occupants. The city of New York is a character we meet the Mayor, chief of police and these odd guys called transit cops, lead by a deadpan Walter Matthau.  It’s tense, funny, rousing and has one of the best scores of the 70s.  It’s also one of those films that shows a dirty run down 70s New York, a city on the skids reluctant to pay.   The remake is nowhere near the original

The Commitments – the best let’s start a band movie. Great characters, very funny, good music, but what it captures best is the feeling of aspiring to be something beyond the norm, and the bittersweet worry that it won’t go anywhere or last.  But better to be an unemployed sax player than an unemployed pipe fitter, right?

Breaking Away and Gregory’s Girl – the two best films about growing up.  One set in Glasgow, the other in Indiana. They both share the same spirit.

Margin Call – yes, it’s about the financial crash, but it focuses on the impact on one  company and one set of employees. It’s an eye opener and feels realistic and well researched. All employers will fuck you over eventually, but in this case, they fuck over the entire financial system too.

Bad Company – a western for young people.  But a REAL western never the less. Jeff Bridges and Barry Brown are cast as the two aspiring outlaws, and things don’t go well for them at all. Will they live, and survive the multiple ways young men could die in the west?  You must see it yourself.  Great original score too.

Hard Times / The Streetfigher – known under two different titles.  This depression era set tale of bare knuckle boxing is a top film by Walter Hill.  You’ve got James Coburn and Charles Bronson, which is all you’ll ever need.  It’s gritty and tough and you’d expect nothing less.

Black Book – Paul Verhoeven is simply one of the best directors still working.  He’s still very underrated by many.  Check out Black Book, shocking, rousing, engrossing and a film that will be talked about for years to come.

Bad Day At Black Rock – Spencer Tracy arrives in a small town looking for someone, it’s clear the town has a dirty secret.  The question is, will Spenser get out alive.  Ripe for a remake, outstanding actors, locations and camerawork (I didn’t count more than two or three close-ups in the entire film). It still stands up today.

As well as being a freelance film director for hire, Matthew has also enjoyed a long career as a script writer for hire he’s written for most of the UK soaps, including writing award winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer.

Matthew’s directorial debut, the rubber reality horror thriller Markham was released in 2020

You can find some of his broadcast credits on the IMDb You can find out more about Matthew’s work as a director here

Editing and Post Production on – At The Mountains of Madness – Matthew Cooper Director

Matthew Cooper Director

I’m one week into post production on my second feature film as a director – ‘At The Mountains of Madness’ (ATMOM) and already, the process is much smoother than on my first feature film Markham  which was released in 2020.

On ‘Markham’ we used improvisation, and never had a real script or storyline.  While this made ‘Markham’ a pretty unique film, it also made it hugely hard work.

‘ATMOM’ had a script, I didn’t entirely stick to it, but for the most part, the actors had set lines to learn, we had set scenes and a pretty strict structure too. And, that has made making the film and editing it soooo much easier.

As a  script writer for hire and in demand script consultant of course, I should know this myself.   Yes, everything works better with a good script – but it’s a gentle reminder to the director in me to get the script working before you do anything else – something I didn’t do with Markham, I almost attempted to write the film after we’d shot it. A mad idea.

ATMOM is already looking like a winner, like Markham it’s a horror film based on the writings of H.P. Lovecraft. It’s the second film in what will be a low budget trilogy of horror films based on Lovecraft stories.

All being the well, the film be finished very soon, for a late April release. Keep checking back more info.

As well as being a freelance film director for hire, Matthew has also enjoyed a long career as a script writer for hire he’s written for most of the UK soaps, including writing award winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer.

Matthew’s directorial debut, the rubber reality horror thriller Markham was released in 2020

You can find some of his broadcast credits on the IMDb You can find out more about Matthew’s work as a director here.

Markham – available for pre-order on Vimeo now

My feature film debut as a director, the low budget horror Markham is now available for pre-order on Vimeo here.

Markham is a snip to buy on Vimeo at just £4.59

Markham will soon also be available to buy on DVD – so keep checking back.

It’s been a mad ride getting here. We started shooting Markham over 18 months ago with a tiny budget, no script, and only a vague idea of what the story was.

Through shear hard work the film developed through a complicated shooting process that required a lot of improvisation from all of the actors. A lot of material was shot, that we never used as we fine tuned the plot in the editing process.

Markham has been described as a film that deconstructs horror tropes and so far the film has had excellent feedback.  

Considering the low budget, and the process we went through, I’m fairly pleased with the end result, and myself and the same team are moving onto two new horror feature projects with very low budgets – call it the Covid Trilogy!

I’m also preparing another two feature films for me to direct, and we’re hoping to raise some funds for the other two.

Matthew Cooper has been a script writer for hire, UK Script editor  and UK script consultant for over 20 years. He’s written for most of the UK soaps, including writing award winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer. His UK script coverage service, Script reading service and script development service are highly sought after.

You can find some of his broadcast credits on the IMDb.

You can contact Matthew directly to purchase his ebook The UK Soap Opera Script Writers Handbook.

His directorial debut, the rubber reality horror thriller Markham will be released in 2020. You can find out more about Matthew’s work as a director here.

You can get in touch with Matthew on matcoop23@yahoo.co.uk.

Markham – notes on making a zero budget horror film

My feature debut as a director Markham is all but finished as of today.  It’s been around two years in the making.  With no budget and no script Markham has been an experiment to see if we could actually pull of a film of any worth, starting from scratch.

Well we did. Markham is a tight, arty, experimental little horror film, with a cool look, cool music, some very good acting and some great locations. 

It’s Grindhouse in a way as well, parts where shot on film, it’s experimental, and wouldn’t be out of place alongside a lot of Shameless films  or  Arrow films releases

But what have I learned from making a zero budget horror film?

Okay, when Peter Jackson made Bad Taste, he did it, in a style similar to how we made Markham.  Shooting on a part-time basis as and when cast and crew where available, without much of a script to go along with – it took Peter Jackson FOUR years to complete the film, and now I know why (it’s taken nearly two years to complete Markham).

When I started shooting Markham I thought it might take six months.

Working without a script is a crackers idea, especially in low to zero budget filmmaking.  Initially when we started out, me and the actors just shot scenes that were interesting visually and we improvised the characters, and narrative, eventually a fitting plot emerged. This is an interesting and creative way to work (Kubrick worked like this sometimes).  But, it means it will take years to finish and you never know (as a director) what you’ll need – from a simple coverage POV – right up to major scenes that are required that only become apparent later.

The first lesson for next time, is to write a script and stick to what’s written.  There’s always room for experimentation but have the blueprint in script form first.

Another thing I’ve learned never to ignore is sound, especially when shooting on location.  A lot of ADR work was required in post production that would have been better avoided with more attention to paid to the sound recording on location, although admittedly recording dialogue on the open sea, in a raging storm is always going to be hard. 

Difficult locations is another point of learning. We picked some spectacular coastal locations to use in Markham.  But we didn’t consider how difficult they were going to be to get there, or actually shoot in these out of the way, and often dangerous places. 

The locations look great, but I should have considered the impact on production of where we shot.   We filmed in places never used in productions before – these were startling virgin locations for UK film.  But there were reasons why nobody had shot there, and they became clear to us as we used the often dangerous locations ourselves…

Finally one of the main things I’d say I learned at this stage is that IT’S COMPLETELY feasible to now shoot a low budget film, post produce it and edit for very little money and have an end product that’s completely serviceable.   The film is going to be released on DVD and on VIMEO at the end of August, but I could easily in future put the film on AMAZON PRIME myself.

The whole process has been a massive learning experience for me.  And I can’t wait to do it all again…

As well as being a freelance film director for hire, Matthew has also enjoyed a long career as a script writer for hire he’s written for most of the UK soaps, including writing award winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer.

You can find some of his broadcast credits on the IMDb You can find out more about Matthew’s work as a director here.

Scoring Markham – All killer – no filler

This morning I’m due to sit down and watch the latest cut of my feature film debut as a director Markham.

Markham is a zero budget horror film, which was shot in Staithes in North Yorkshire, and a few other locations up and down the Yorkshire coast.

One thing I can firmly say about Markham is that it pretty atmospheric. Partly thanks to the moody locations and stark black and white photography. But, the music has added an extra dimension too.

I commissioned the score from LA based composer Mariella Nelson Renaud, and gave her free reign to come back with a horror soundtrack which would befit the movie.  She did an amazing job.

Music makes such a big difference in film, and especially in horror cinema. The score can make or break a movie. Watching Markham with all the cues in place makes such a difference to the experience.

Working with composers is one thing directors rarely consider. Directors happily work with writers, actors and technical crew – we speak the same language, but how do you work with a composer, musician or someone from a discipline that’s different from film, and who might not speak the same language? With Mariella, I gave pretty specific examples of scores that I like, and that I considered a ‘type’ that would work with Markham.

Mariella took these examples, ran with them and added her own unique style and personality.

The score feels like a cross between Wendy Carlos and Rachel Elkind’s work on Kubrick’s  ‘The Shining’, Carpenter and the late great Ennio Morricone’s work on ‘The Thing’ and Giorgio Moroder’s music for Paul Shrader’s Cat People (1982) – a personal favourite amongst all these great works. These are great scores to be compared to by Mariella’s work really warrants the comparison.

When I heard the score the first time I was over the moon.  If anything comes from Markham at all, it should be that Mariella Nelson Renaud’s work should be recognised.  She’s a really talented film composer with a great work ethic and ability to interpret what’s on screen in music; she was also a pleasure to work with.

As well as being a freelance film director for hire, Matthew has also enjoyed a long career as a script writer for hire he’s written for most of the UK soaps, including writing award winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer.

You can find some of his broadcast credits on the IMDb You can find out more about Matthew’s work as a director here.