Wrapped – At The Mountains of Madness – Matthew Cooper Director

Boom, about a week ago we wrapped shooting on my new feature length horror film – ‘At The Mountains of Madness’ – which is based on the short story by H.P. Lovecraft.  This is the second film (after ‘Markham’ released August 2020) in a trilogy of micro budget Lovecraft adaptations.

Unlike Markham, we had a pretty solid script for this production although my actors Tony Coughlan, Ashe Russell and Gary Geeson still had plenty of room to improvise and play with their characters.  

The main shoot was completed in two intense weeks, where at times, we had to be really creative to get the scares and required atmosphere on a tiny budget.

ATMOM had exteriors shot in Greenland and Alaska, but the majority of the film was done on custom built sets in a studio environment.  Like Markham, ATMOM will be black and white and some of the film is shot on Super 8mm.  The most fun I had on the shoot involved fake snow and a snow machine – which resulted in me nearly breaking ankle – but hey, the shots looked great.

I’m looking forward to diving head first into post production, and the film will hopefully be released online in April 2021.

Obviously, Covid-19 made shooting the film a challenge and at all times we stuck to the Covid-19 film industry guidelines.

Keep checking back over the next few months as I detail the post production process and start releasing a few images and trailers from the film.

Matthew Cooper has been a script writer for hire, UK Script editor  and UK script consultant for over 20 years. He’s written for most of the UK soaps, including writing award-winning episodes of Emmerdale, EastEnders, Hollyoaks and Family Affairs and has been BAFTA shortlisted and Royal Television Society nominated as a script writer. His UK script coverage service, Script reading service and script development service are highly sought after.

You can find some of his broadcast credits on the IMDb.

His directorial debut, the rubber reality horror thriller Markham was released in 2020. You can find out more about Matthew’s work as a director here.